lostrushi Creates New Dimensions on "triplet"
Take one listen to a lostrushi song, and you've found a one-way ticket to terra-incognita. With very little data on the newcomer, it's impressive that rushi is already cultivating a strong, close-knit fanbase that glorifies every release. A glance at the Soundcloud comments is all I need to know about the "sisterhood" movement; fans love him, claiming him as their goat, while haters sprinkle their takes only for rushi's benefit as fans swarm to silence them. This type of digital sound generally attracts a niche group of supporters, but rushi's is different, just like his music. It's a totally new experience unlike anything I've ever heard, and considering I listen to hundreds of new songs every week, I guarantee it's the same for you. Now returning for more sounds from another dimension, lostrushi transcends ears on "triplet."
The new release supplements a series of 2022 singles that have marked some of rushi's most impressive work, locking in on a sound that connects 2000's video game OSTs to the modern underground in a way only rushi can design. The most notable aspect of the music is the way rushi sings over his inexplicable production. Merely creating a vocal approach would be almost impossible for many but rushi's takes seem so natural: natural yet inviting, as if it's a welcome with open arms to a world outside our universe. On "triplet," lostrushi repeats all of the above with distinct vocal lines and lyrics aimed at making waves and racks, living life, and not giving a fuck. The one-of-a-kind production works parallel to the aura, with Nintendo-like synthscapes and unorthodox drums.
Don't miss out on the phenomenon that is lostrushi, and be on the lookout for his debut project, sisterhood.